Mickey 17

"A wacky and over-the-top science fiction gem. Certainly not one of Bong Joon-ho’s strongest films, but still a blast from start to finish. I could nitpick, but I don’t want to. I had a great 2 hours in the movie theater!"

"Has all the feels of a Bong Joon-Ho film -- quirky, larger-than-life characters, scenes where the prosaic blends into the prodigious. It's mildly thoughtful but doesnt take itself too seriously. Not my favorite in his lineup but enjoyable."

"I really enjoyed Mickey7 by Edward Ashton, the original novel, that Bong Joon-ho's adaptation, Mickey 17, is based on so I was really looking forward to seeing what this director would do with it. It is different, but the dystopian visual style, chaos, dark humor/ satire, and performances make this work as well as it does. I also appreciated that the movie gives Nasha more to do. I'd say that this is my favorite Robert Pattinson performance(s) as well. Plus, it's always good to see Steven Yeun, even if he is a bit of a villain."

"This reminded me a lot of Okja. There are good ideas here but as a whole it didn't fully gel for me. Robert Pattinson gives an interesting performance but passive protagonists aren't my thing. I also wish Steven Yuen's character was used more."

"Robert Pattinson killed it in this movie. Engaging story that continues to surprise you the whole time. A really fun watch "

"The concept of this was interesting. In the future they have the ability to clone you and implant the memoires. So it’s not just a clone that looks like you it really is you. As you can imagine the technology is controversial and band except for one situation. It’s called the expendables program. On this expedition they use this clone to do all the risky jobs and experiments. When he dies they just print out another one and go again. They accidently make another one creating multiples complicating things. I was really interested in them exploring the philosophical ramifications of cloning. There was even a whole religious angle I was hoping they would get into. Instead of getting into that stuff they spent most of the time on the cowboys and Indians story line with the aliens. It’s way too long as they show you everything in every flashback. It’s not a bad movie but it’s far less though provoking than I was hoping for. Worth a watch but not full price at the theater. Please check out my podcast Mostly Low Budget Movie Reviews with Clarence for a more detailed breakdown. On all streaming platforms. Link is in the bio. Thank you!"

"Absurd. Darkly funny. On the nose. Perfectly cast. A big risk that I’m grateful was made! We need more weird and bizarre movies. And if you know Bong Joon Ho outside of Parasite, then you’ll know what you’re about to enjoy. "

"really enjoyed pondering the movie’s moral and political implications while watching it in imax and sipping from my transformers one drink cup."

"Great blend of sci fi and dark humor"

"Mickey 17, directed by Bong Joon-ho, is a darkly comedic science fiction film that explores themes of identity, mortality, and corporate exploitation. The narrative centers on Mickey Barnes, portrayed by Robert Pattinson, an "Expendable" worker assigned to perilous missions on the icy planet Niflheim. Each time Mickey dies, he is resurrected through advanced cloning technology, leading to a cycle of death and rebirth that raises profound ethical and existential questions. Pattinson delivers a compelling performance, skillfully differentiating between the various iterations of Mickey. His portrayal captures the character's evolving psyche, from resilience to existential dread. Naomi Ackie shines as Nasha, Mickey's steadfast partner, bringing depth to their complex relationship. However, the film's antagonists, played by Mark Ruffalo and Toni Collette, verge on caricature, their exaggerated performances detracting from the story's gravitas. Visually, Mickey 17 is stunning. The desolate landscapes of Niflheim are rendered with haunting beauty, immersing viewers in a world that is both alien and eerily familiar. Bong Joon-Ho's direction is meticulous, blending absurdist humor with poignant social commentary—a hallmark of his filmmaking style. The screenplay, adapted from Edward Ashton's novel "Mickey7," delves into the absurdity of corporate greed and the expendability of human life in the pursuit of progress. Despite its strengths, the film's pacing is uneven. The narrative occasionally meanders, and certain subplots feel underdeveloped. Additionally, the satirical elements, while insightful, sometimes overshadow the emotional core of the story, leading to a tonal imbalance. In conclusion, Mickey 17 is an ambitious film that offers a thought-provoking examination of humanity's drive for survival and the ethical boundaries of technological advancement. "